Lit 
it's entirely impossible to give this book less than five stars because it's an obvious masterpiece of narrative, heart, and language. unlike other memoirists who put it all out there, though, mary karr doesn't scrape the bottom of the barrel and come up with the miserable, putrescent dregs that caused her to be so miserable and, also, to drink (two different predicaments, though i suppose the latter cannot happen without the former). she talks many times, pretty much from beginning to end,
I read a lot of memoirs. There's something about peering into someone else's life that gives me a chance to pause and reflect on mine. Lit was no exception. It appears to be brutually honest, although it may not be since it's based on the recollections of an alcoholic. However, Karr does not paint herself to be a saint for having gotten herself into recovery or blame her past for her descent into alcoholism and depression. There were times as I read that I didn't want to read anymore. I wanted

Warning, craft review! Karr employs or deploys a number of craft strategies and techniques that I examined in order to rip-off for my own writing. I whittled down the many to these few: Prologues as context, anchoring (and/ or launching?) points for both writer and reader, and how the prologues determine the economy of explanation throughout the book; Management of present- and past-self narrators, for story, for suspense, and other effects; Cognitive entry points (the deft turns-of-phrase
Real and raw, 'Lit' reveals why Mary Karr is one of the preeminent memoirists of our time. Written as a letter to her son, Dev -- whose birth marks a distinct turning point in her life -- Karr's reflections are astonishingly refreshing. "Just as my mother vanished from my young life into a madhouse, so did I vanish when you were a toddler, having spent much of my life having to plumb her psychic mysteries," she writes to Dev. In the pages that follow the book's stunning introduction, Mary Karr
A writer's writer, Mary Karr's work will appeal to poets, fans of the literary scene, self-help first-person horror story aficionados, and lovers of words. Never was the map to hell so gloriously recounted as this one. And the way she nails the logic and rationalization of alcoholics is spot on. If you've ever talked your way into "just one more" and lived to regret it, you'll find some mirrors among these well written pages. What follows are some excerpts from the book: Karr writes of her first
Suspect the world does not need another review of Mary Karrs newest memoir, but I do have some scattered thoughts on it. I feel, however, that they must be prefaced by multiple caveats, which may be the scattered thoughts in disguise. Caveat one: Ive not read any of her other books. Have seen occasional poems of hers in magazines. Caveat two: She studied with a poet I also studied with, who makes a couple of appearances in this book as she begins to ascend into the poetry firmament. Caveat
Mary Karr
Hardcover | Pages: 400 pages Rating: 3.92 | 23268 Users | 2190 Reviews

Itemize Books In Favor Of Lit
Original Title: | Lit |
ISBN: | 0060596988 (ISBN13: 9780060596989) |
Edition Language: | English |
Literary Awards: | National Book Critics Circle Award Nominee for Autobiography (2009) |
Description Toward Books Lit
The New York Times bestseller, now available in paperback—Mary Karr’s sequel to the beloved and bestselling The Liars’ Club and Cherry “lassos you, hogties your emotions and won’t let you go” (Michiko Kakutani, New York Times). Mary Karr’s bestselling, unforgettable sequel to her beloved memoirs The Liars’ Club and Cherry—and one of the most critically acclaimed books of the year—Lit is about getting drunk and getting sober; becoming a mother by letting go of a mother; learning to write by learning to live. The Boston Globe calls Lit a book that “reminds us not only how compelling personal stories can be, but how, in the hands of a master, they can transmute into the highest art." The New York Times Book Review calls it “a master class on the art of the memoir” in its Top 10 Books of 2009 Citation. Michiko Kakutani calls it “a book that lassos you, hogties your emotions and won’t let you go” in her New York Times review. And Susan Cheever states, simply, that Lit is “the best book about being a woman in America I have read in years." In addition to the New York Times, Lit was named a Best Book of 2009 by the New Yorker (Reviewer Favorite), Entertainment Weekly (Top 10), Time (Top 10), the Washington Post, the San Francisco Chronicle, the Chicago Tribune, the Christian Science Monitor, Slate, the St. Louis Post Dispatch, the Cleveland Plain Dealer, and the Seattle Times.List Based On Books Lit
Title | : | Lit |
Author | : | Mary Karr |
Book Format | : | Hardcover |
Book Edition | : | Special Edition |
Pages | : | Pages: 400 pages |
Published | : | November 3rd 2009 by Harper |
Categories | : | Autobiography. Memoir. Nonfiction. Biography. Biography Memoir |
Rating Based On Books Lit
Ratings: 3.92 From 23268 Users | 2190 ReviewsRate Based On Books Lit
Karr's hard-edged poetic voice made The Liars' Club one of my favorite books. In Lit, the voice is just as searing and lovely but perhaps not as consistent. The childhood digressions--nods to her previous works--were the weakest portions of the narrative, but they were brief; moreover, they were easily forgiven when bookmarking transcendent scenes such as one in which a group of illiterate women remind the author of the universality of good poetry. I highly recommend this book to all readers,it's entirely impossible to give this book less than five stars because it's an obvious masterpiece of narrative, heart, and language. unlike other memoirists who put it all out there, though, mary karr doesn't scrape the bottom of the barrel and come up with the miserable, putrescent dregs that caused her to be so miserable and, also, to drink (two different predicaments, though i suppose the latter cannot happen without the former). she talks many times, pretty much from beginning to end,
I read a lot of memoirs. There's something about peering into someone else's life that gives me a chance to pause and reflect on mine. Lit was no exception. It appears to be brutually honest, although it may not be since it's based on the recollections of an alcoholic. However, Karr does not paint herself to be a saint for having gotten herself into recovery or blame her past for her descent into alcoholism and depression. There were times as I read that I didn't want to read anymore. I wanted

Warning, craft review! Karr employs or deploys a number of craft strategies and techniques that I examined in order to rip-off for my own writing. I whittled down the many to these few: Prologues as context, anchoring (and/ or launching?) points for both writer and reader, and how the prologues determine the economy of explanation throughout the book; Management of present- and past-self narrators, for story, for suspense, and other effects; Cognitive entry points (the deft turns-of-phrase
Real and raw, 'Lit' reveals why Mary Karr is one of the preeminent memoirists of our time. Written as a letter to her son, Dev -- whose birth marks a distinct turning point in her life -- Karr's reflections are astonishingly refreshing. "Just as my mother vanished from my young life into a madhouse, so did I vanish when you were a toddler, having spent much of my life having to plumb her psychic mysteries," she writes to Dev. In the pages that follow the book's stunning introduction, Mary Karr
A writer's writer, Mary Karr's work will appeal to poets, fans of the literary scene, self-help first-person horror story aficionados, and lovers of words. Never was the map to hell so gloriously recounted as this one. And the way she nails the logic and rationalization of alcoholics is spot on. If you've ever talked your way into "just one more" and lived to regret it, you'll find some mirrors among these well written pages. What follows are some excerpts from the book: Karr writes of her first
Suspect the world does not need another review of Mary Karrs newest memoir, but I do have some scattered thoughts on it. I feel, however, that they must be prefaced by multiple caveats, which may be the scattered thoughts in disguise. Caveat one: Ive not read any of her other books. Have seen occasional poems of hers in magazines. Caveat two: She studied with a poet I also studied with, who makes a couple of appearances in this book as she begins to ascend into the poetry firmament. Caveat
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