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Title:The Street of Crocodiles
Author:Bruno Schulz
Book Format:Paperback
Book Edition:Deluxe Edition
Pages:Pages: 160 pages
Published:March 1st 1992 by Penguin Books (first published 1933)
Categories:Fiction. Short Stories. European Literature. Polish Literature. Classics. Magical Realism. Cultural. Poland
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The Street of Crocodiles Paperback | Pages: 160 pages
Rating: 4.14 | 6545 Users | 551 Reviews

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The Street of Crocodiles in the Polish city of Drogobych is a street of memories and dreams where recollections of Bruno Schulz's uncommon boyhood and of the eerie side of his merchant family's life are evoked in a startling blend of the real and the fantastic. Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars. Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

Details Books Conducive To The Street of Crocodiles

Original Title: Sklepy cynamonowe
ISBN: 0140186255 (ISBN13: 9780140186253)
Edition Language: English
Setting: Poland Poland
Literary Awards: Prix du Meilleur Livre Étranger for Roman (1974), Tähtifantasia Award (2014)


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Ratings: 4.14 From 6545 Users | 551 Reviews

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There are two introductions to this edition. One is by the translator Celine Wieniewska, and the other by Jerzy Ficowski, who must have written the introduction to the original. I don't recall in which, but one of them says this is a novel - and it is, of sorts. It is collection of inter-connected stories, a novel in the same way, perhaps, that Olive Kitteridge is a novel. Please do not mistake me: that inter-connectedness the only thing the two titles have in common. These stories are all told

There Is No Dead MatterNo one knows how to distinguish living from non-living matter. At the boundary between them the A-level 7 Characteristics of Life break down. Viruses, some organic chemical compounds, prions, perhaps some bacteria, among other things dont fit neatly into the biological vs. merely material categorisation. We are accustomed to thinking in Darwinian terms: Mind, we presume, emerges in an evolutionary process from matter. But the 19th century American philosopher C. S. Peirce



Bruno Schulz, loner from Drogobych as he was named, in this collection of short stories, impressions actually, evokes that distant land called childhood.At the centre of that created world is, quite patriarchal, figure of the father - unstuck from reality , absorbed in thoughts and deep in his eccentricities. Birds, mannequins and cockroaches gradually are occupying his mind. One by one , he shook off the bonds off association with human society.In the background are the other people around the

Before Bruno Schulz was shot in the street in one of the many actions of Nazi Terror in 1942, he was a unique human being with a beautiful sense of humour and a lightness that makes one feel sad. Before Bruno Schulz fell victim to the absurdity of fascist hatred, he was a writer of seemingly endless imagination, who could find magic in the smallest of circumstances and even let a Tailor's Dummy have its rights.Before Bruno Schulz lost his life and most of his writing to the worst criminal reign

A strange, uneven book of fiction, but one that is oddly compelling. It is somewhat like magic realism, but more primeval and mythic than the dark fairy tales of Marquez. It is a little like Kafka too, but much more energetic, teeming with life. If Egon Schiele wrote fiction, it might be something like this.

What a wonderful way to start a new year. This was such an exquisite read that read so beautifully I think I won't be able to forget it for a while. It's books like this that make me feel at peace with myself and allow to fully emerge my mind in the deepest parts of itself.
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